For St. Patrick’s Day 2014, I have compiled six (6) musical works I own that are in a direct or indirect way pertinent to Ireland, Irish music or St. Patrick’s Day. The music is from The Band, The Chieftains, Govinda, Mary & Mars, John McLaughlin & The Mahavishnu Orchestra, Van Morrison and The Rolling Stones.
I have added a new category to www.emichaelmusic.com. “Music Discovery” will feature music which I know, from a few minutes or a few decades ago, that I find intriguing, inspiring, innovative, beautiful, novel or just cool, and for which I want to advocate.
The Beatles convincingly fused widely disparate influences throughout their seven-year recording career as they assimilated U.S. rock ‘n’ roll, rockabilly, country, Motown, R & B, soul, Tin Pan Alley, Afro-Cuban, bossanova, classical, and Indian music influences. They also steadfastly avoided following any fads or attempting to be “cool” or something which they were not. Each of their albums was a significant musical event complete with the seemingly incongruous achievements of important artistic innovations and great popular appeal.
Here are twelve (12) of my favorite Christmas recordings, from Band Aid to Poncho Sanchez. (My list ends with the letter, “S?!?” No Tchaikovsky and nut cracking? And none of the letters post-S. That means no Van Halen, Vivaldi, Webern, Xenakis, Neil Young, Frank Zappa or Jan Dismas Zelenka.)
As with most music, what attracts me to many of the recordings below is creative, surprising and atypical uses of chords, melody, rhythm, tone color, lyrics and/or structure. And in the case of Bob Dylan’s “It Must Be Santa” recording and video, great humor.
I thought to celebrate this wonderful day of Thanksgiving, I’d compile music with lyrics that express thanks in various ways. Music from these artists (arranged alphabetically):
Louis Armstrong, J. S. Bach, Charles Ives, Led Zeppelin, Bob Marley, Pat Metheny, Charles Mingus, Me’Shell Ndegéocello, Sam & Dave, Hank Williams
Is tango a dance? Is tango music? Is tango both music and dance? To me tango is music and the accompanying dance. To others I’m sure the idea of an “accompanying” dance, meaning the visual subservient to the aural, is offensive. Music is meant for many as something to accompany dance. For me it’s music – the invisible art form that grabbed and OCCUPIED me as a child – first. Other stuff – film, video, TV, advertising, ballet, dance, opera, musicals, etc. – is often secondary and there to serve music. I’ll more often stick with what I think is this contrarian view – let the invisible (music) rule and let us serve her/him/it/them.
Perhaps it is best that in 2012 the entire hemisphere is called THE AMERICAS, mostly to make things less messy when it comes to division via land mass.
* * * * * * * *
To the simple point of this post – three (3) great songs from The Americas (the Americas situated south of continental U.S.) that feature * copyrightable introductions. *
B R A Z I L, C U B A, M E X I C O
I’ve been passionate about world music since I was a little kid and heard some of my parents bossa nova albums, Antonio Carlos Jobim, Perez Prado, and some others. Also in those days there was I Love Lucy with some of Desi Arnaz’ very hot bands on TV. I always loved what I perceived as its sophistication…
The point of this post is world music and copyrightable intros in world music. I want to limit it to just three (3) examples, all of them from two (2) African nations – Zimbabwe and Cameroon.
One of the important features of a lot of Dave Brubeck’s music is his use of rhythm and especially uncommon time signatures. Brubeck met with resistance from Columbia Records when he insisted on having songs with unusual meter/time signatures on his brilliant million-selling album, Time Out. Fortunately for music, the public and Columbia Records, they gave in.
I have selected three (3) Dave Brubeck songs, each in a different and unusual meter. 5 beats per measure, 7 beats per measure and 9 beats per measure are far less common than the most common meter in Western music – 4 beats per measure. In keeping with the idea of three – 3 different time signatures/meters – I have also compiled three (3) sets of three (3) songs each. In each of these three 3-song sets, I have chosen a Brubeck composition and followed it with two (2) other compositions that share the same number of beats. In each example, the songs I have selected are not of the same style.
At some points today, I’ll select some topics for my two-hour presentation. I’ll choose from these questions and issues and more:
Can One Copy A Bass Line?
Can One Copy A Chord Progression?
Can One Copy A Guitar Solo?
How To Break The Law/How To Get Away With Crime (Crime? “Fair Use” or The Perfect Crime ?)
What Is Fair Use?
Fair Use Done Right/Wrong
What Is Satire?
What Is Parody?
What Is Right of Publicity?
Can One Sample?
What Is A Mashup And When Are Mashups Legal/Illegal?