I always felt lucky to see and interact with him. As quickly as possible, I realized that this musical hero to me, who was now a colleague, was just such a great and modest guy. His charm was disarming as can be. I was comfortable with Mulgrew immediately.
As I got to know Mulgrew better, I had to ask him – no, tell him – to stop calling me “Doctor” or “Professor.” I told him that you are Mulgrew Miller and I call you Mulgrew. I should call you SIR. He laughed. He told me I deserved the titles and the respect.
One of the important features of a lot of Dave Brubeck’s music is his use of rhythm and especially uncommon time signatures. Brubeck met with resistance from Columbia Records when he insisted on having songs with unusual meter/time signatures on his brilliant million-selling album, Time Out. Fortunately for music, the public and Columbia Records, they gave in.
I have selected three (3) Dave Brubeck songs, each in a different and unusual meter. 5 beats per measure, 7 beats per measure and 9 beats per measure are far less common than the most common meter in Western music – 4 beats per measure. In keeping with the idea of three – 3 different time signatures/meters – I have also compiled three (3) sets of three (3) songs each. In each of these three 3-song sets, I have chosen a Brubeck composition and followed it with two (2) other compositions that share the same number of beats. In each example, the songs I have selected are not of the same style.